‘The Voice Of Rock’ is a true original. No other rock musician has carved such a distinctive style blending the finest elements of hard rock, soul and funk. That astonishing voice is Hughes' calling card. He's known as a singer's singer, with 80+ gold and platinum albums and collective sales of over 100 million units to his name. Glenn has been at the forefront of the music scene since first achieving success in 1970 with his band Trapeze, before going on to worldwide recognition in 1973 when he joined one of the most popular bands in the world, Deep Purple.

Hughes’ R&B-infused bass lines and explosive vocal range blazed throughout the band’s hugely successful world tours and albums, including their classic 1974 release, Burn. Following Deep Purple’s split in 1976, Hughes made countless guest appearances as a vocalist, bass guitarist and songwriter on other artists’ albums, including Black Sabbath’s Seventh Star. Since 1992, Hughes has toured extensively in Europe, Asia and South America in support of solo albums, including the acclaimed Soul Mover and his most recent release, First Underground Nuclear Kitchen, both featuring Red Hot Chili Peppers drummer Chad Smith.

   A versatile keyboardist who mixes technical proficiency with distinctively raw power, Derek Sherinian has toured and recorded with some of the biggest names in rock. Sherinian got his big break in 1989, touring with legendary shock-rocker Alice Cooper in support of the multi-platinum albums Trash and Hey Stoopid.

In 1991, Sherinian caught the attention of Gene Simmons, joining Kiss for their Revenge tour and recording Alive III. Moving into progressive rock, Sherinian joined Dream Theater in 1994, recording three albums and performing on two world tours. Going solo in 1999, Sherinian has recorded six albums, teaming up with legends including Billy Idol, Slash, Al DiMeola, Steve Lukather (Toto) and Zakk Wylde (Ozzy Osbourne) to create a catalogue of music that fuses hard rock intensity with dynamic, jazz-infused flair.

I worked with many of the top local artists, including Juluka, David Kramer, Winston Mankunku, Basil "Mannenburg" Coetzee, The Sweatband and many others, including producing two records for my own heavy rock band, The Council, and picked up some local awards for engineering and the "Caveman" nickname along the way. It's David Kramer's fault!
After a few years of making local records, I left the politically troubled landscape of South Africa, and headed for Sydney, Australia. I was following a woman. That's one of life's curveballs - women! Life as a freelance producer in Sydney wasn't always easy, and to support the family, I mixed live sound for a local band, then produced local albums from a small 16 track studio in Newcastle for peanuts, before things began to click in Sydney, and after working on demos with a new band called The Baby Animals, I became the engineer on their debut album , working with uber-producer Mike Chapman in New York. The album went multi-platinum, and was #1 in Australia for weeks on end, after which my common-law wife left me for a hippy guru, so I moved to New York City with my 2 year old son to work with Chapman on records by Billy Squier, Material Issue and others. After bashing away at doors, and borrowing money to mail out showreels and tapes, I secured a gig in Canada engineering the Rush album, "Counterparts", for mega producer Peter Collins, and then later on the Bon Jovi "Greatest Hits" singles and the Divinyls' contribution to the Melrose Place soundtrack.

At this stage, after the U.S. refused me entry and with just enough Rush cash to move, I'd had enough struggling and moved back to the land Down Under - where Silverchair surfaced on the rock landscape, and the Caveman produced debut proved to be internationally succesful - leading legendary A&R man John Kalodner to sign me up to produce U.S. supergroups Journey and Aerosmith - then I produced San Diego punkers Rocket From The Crypt, The Black Crowes, Dream Theater and a few album for Iron Maiden amongst others, a personal highlight being mixing a huge Led Zeppelin DVD and live CD set "How The West Was Won", the Page/Plant Unledded show, remixing all the Metallica hits in surround sound as well as producing the song which Tina Arena sang at the lighting of the Olympic Flame at the Opening Ceremony of the Sydney 2000 Olympic Games.